Artists have a ton of options in brushes today. In my experience, there is no "right" brush. I use different types of brushes for different subjects and to achieve different effects. When finishing a painting,the best brush for me is no brush at all, and I complete a painting with finger touches and slashes from the palette knife. In my studio I prefer the interlocking bristle brush for most paint applications. These brushes are made by hand-orienting the bristle hair toward

In many canvases, Flynn uses extensive glaze work, layering color over color to build a perceived three dimensional color space. The viewer engages in an insight-based discovery process as his/her awareness moves among the many visual layers. This 50 x 60 inch painting deals with perception and how we relate as an object to the ever-moving demands of our environment. Which aspects of the painting are solid and which are fluid? What aspects of self are solid and which are f